Architecture is not just the index of civilisation, but also a celebration of life, says noted architect and planner Christopher Charles Benninger, based in Pune
Benninger's focus has been on "the Middle Path in Buddhism", the balance between humans and nature and between the built fabric and its natural terrain. Using INTELLIGENT URBANISM, Benninger tries to find a balance between humans and nature in his designs
In 1968, Benninger, an alumnus of the Harvard Graduate School of Design and Urban Planning at the Massachusetts Institute of Technology, first came to India on a Fulbright scholarship. Three years later, this disciple of Spain's Jose Luis Sert and a former member of the Delos think-tank on modern social and urban planning returned to India as a Ford Foundation consultant to set up the School of Urban Planning at Ahmedabad. But this time around, he was here for good.
For Benninger, moving to India has spelt liberation from various "forms of entrapment". Being in America and Europe, he notes, would only have dissolved him in a mob goaded in "one, pre-defined right direction" by media, money, fame and a smothering sense of self-importance. "America is great because you can pretend to be what you aren't, but India is great because you can find yourself and be what you are."
Self-imposed exile
For well over 35 years since then, this American has lived and worked in a "self-imposed exile" in India, conceiving award-winning designs for institutions, residential schools, hotels, corporate offices and large-scale housing projects, preparing plans for the governments of Bhutan, Nepal, Malaysia, Indonesia, Sri Lanka and India, and advising the World Bank, UNO and Asian Development Bank on development projects in Asia and Africa.
In Pune, among some of his works are the Mahindra World College and the Centre for Planning and Architecture, both of which have used traditional Marathi wada styles of achictecture
As an architect, much like a cinematographer, Benninger programmes human experiences of moving through the spaces he designs. Informing this preconceived "kinetic architecture" are real people who transform these spaces into "places", imbuing them with life and meaning.
What fascinates Benninger about Indian architecture is its vacillating context defined by the happenings within, a far cry from "the dull, fixed images of packaged consumer items" that pass off as architecture in the West. He makes no secret of his dismay, and surprise, at the Indian awe of Western "stunts parading as architecture" that he equates with children screaming for attention. To qualify as true architecture, a structure, he believes, must span the continuum of time. "What are more interesting are the precursors to the events that give shape to the form, and the impact of the forms on future events."
To Benninger, the very chaos, uncertainties and contradictions that fetch Indian cities generous disparagement are indeed the "raw material of creativity and free thought". "While everyone has heard of Newark or New Jersey where there is no soul, no life and just empty shells and lost memories, Indian cities represent the dynamism and energy that thrive out on the periphery of the global system." This is perhaps why he is pained to see India redefine itself based on "consumption and the false sense of personal power it engenders".
Compiled from HARSH KABRA , Online edition of India's National Newspaper
Sunday, Jul 16, 2006